LAGU NASYID ARAB POPULER PROFESSIONAL
We also thank the memberships of our professional societies, the Society for Ethnomusicology and the International Council for Traditional Music, who have welcomed several of our panels on this and related topics. We were thrilled to assemble such a wonderful group of scholars, each of whom responded with such good cheer to our frequent requests during the many stages of the project. Most prominently, this includes our authors. The editors, however, would like to take this opportunity to thank those immediately helpful in the realization of this book. Suffice to say that we are all very grateful for our teachers in the field, without whom our work would be impossible. Such expression of appreciation is beyond the scope of this short note. The two editors, along with the authors of this volume, could thank hundreds of individuals who have assisted them throughout their research periods or in preparation of their chapters. Morality and its (Dis)contents: Dangdut and Islam in Indonesia Andrew N.WeintraubĮpilogue 337 Judith Becker Glossary Index
Islam, Politics, and the Dynamic of Contemporary Music in Indonesia 297 R. Pätzoldįrom “Dust” to Platinum: Global Currents through the Malay World of Musical Islam 197 Charles Capwellħ “Authentic” Islamic Sound? Orkes Gambus Music, the Arab Idiom, and Sonic Symbols in Indonesian Islamic Musical Arts 207 Birgit Berg 8 The Discourse on Islam and Music in West Java, with Emphasis on the Music Group, Ath-Thawaf 241 Wim van Zanten Part IVĩ “Art with a Muslim Theme” and “Art with a Muslim Flavor” among Women of West Aceh 269 Margaret Kartomi 10 Self-Defense and Music in Muslim Contexts in West Java Uwe U.
Rasmussenīrai in Performance: Religious Ecstasy and Art in Java Matthew Isaac Cohen Harnish Part IIģ “The Muslim Sisterhood”: Religious Performance, Transnational Feminism(s), and the Particularity of Indonesia 111 Anne K. Past and Present Issues of Islam within the Central Javanese Gamelan and Wayang Kulit 45 SumarsamĢ Tensions between Adat (Custom) and Agama (Religion) in the Music of Lombok 80 David D. Introduction: The World of Islam in the Music of Indonesia 5 David D. Rasmussen, Anne K., 1959M元45.I5D58 2010 780.9598-dc22 2009050122 ) Companion illustrations (marked in text with are available online at 1 3 5 7 9 8 6 4 2 Printed in the United States of America on acid-free paperĪcknowledgements vii About the Companion Website ix List of Illustrations Islamic music-Indonesia-History and criticism. Includes bibliographical references and index.
Library of Congress Cataloging-in-Publication Data Divine inspirations: music and Islam in Indonesia / co-editors David D. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. 198 Madison Avenue, New York, New York 10016 Oxford is a registered trademark of Oxford University Press All rights reserved. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine VietnamĬopyright © 2011 Oxford University Press Published by Oxford University Press, Inc. rasmussenġ Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Divine Inspirations Music and Islam in IndonesiaĬo-editors david d.
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